Tis' the season, or it soon will be... I just thought I'd put the word out that I do have some inventory of the wonderful transparent Lauscha red. Think "Candy Apple RED"! Perfect for the holidays as well as the lovers' holiday following shortly in February.
While Glassdaddy (my daddy - Frank DeRosa) isn't in business anymore - he has assured me he will lovingly participate in making sure quality control is in effect for the shipments.
Email me if you're interested and I'll put a PayPal button on my site next week and get that ball rolling! Smiles - Jill
email me at lampwork@jillsymons.com
10.18.2017 - Edge Obsession continues...
Last year I swore off presses.
I had ordered three expensive presses from Germany and they arrived with guide pins that weren't tapered - and were NOT stainless steel as they had stated in the description. At ~$80 per press - imagine my disappointment when the Stainless Steel guide pins rusted in the Texas atmosphere. Owner was not easy with making it right... not pleased...
So - I figured for the quintessential handmade handshaped bead - it should be unique. OOAK (do you know how long it took me to realize what that meant?) I can control so many more things with this method, but it is much more time consuming. I have mentioned before - but I work with a set of brass calipers on my torch mounted marver so I can check dimensions as I work. So - matching beads are possible *(as with the olive earrings shown above).
I almost worked solely in these tiles this week - loving the fact that the light is more able to penetrate a thinner bead AND this allows the color to shine. I also love the mirror smooth surfaces here - as chill marks don't add anything to this set!!
I did end up playing the balancing act a bit with the gorgeous droplet earrings (shown at bottom of page)...
I do receive emails asking if these are made with presses... one woman suggesting they were cut with a saw, then polished... LOL
It just involves a ton of patience - a hand held marver and tenacity. Maybe we can call it being stubborn. But the results are very pretty.... smiles - Jill
The relief from straight edges....
Imagine balancing a 1/2"D blob of molten moving glass - moving it constantly until it rounds out - and is centered enough to hang straight from its own glass mandrel loop... - then imagine a matching pair?? I love the challenge. #nopresses
10.11.2017 - Cute Posing Beads
*Remember - Weekly Wednesday update tonight at 9pm eastern. http://www.jillsymons.com
I love how glass transmits light. (yes - think fiber optics!!) These wonderfully chunky tabs do that with these night straight edges. I remember sitting at the torch while making these - looking forward to photographing them! Yes... seriously! they're 1" across and about 3/8" thick... chunky - and I've left the chill marks on the surface - because it makes them all that more interesting! Most of the glass I use is Lauscha or glass from the Czech Republic. The transparent colors are just rich and clear. (OK... the light green is Effetre, and has some small bubbles... but the color is enticing enough to put up with them)...
So, you know what the intent of this post is about... right? Just how nice it was to stand these on their edges and capture their personalities!
smiles, Jill
10.4.2017 - When One Thing Leads to Another....
Oh gosh, you know how it is. You torch and suddenly there is an idea - and an idea of how to make a finding that will show off that idea. Then you find all those colors you love, then the ones that you forgot about, and then the ones that you don't ever use....
...you make more. You make more in different sizes. You make more in different sizes and some that slope out slightly... then you fall into the abyss.
...and,
then you fall into the abyss. And you find yourself making sculptural flowers - feeling like Mary Engelbreit.... you snap back into the here and now - look to make sure no one saw... and get back to business. : ) Jill
9.27.2017 - ...That Nod & Knowing Whisper....
Years ago, my friend had quietly remarked how many times lampwork is an exercise into proving just how much you can cram onto the 'tiny canvas' of bead surface. Yes, she is still my friend... and I remember that quite often as I work.
I've always felt less-is-more... and it shows in my work. But every now and then something comes and nudges you... for me, this week, it was this piece.
While this piece has a mix of Boro and soft glass beads... I absolutely love the feel. I have also found recently that my long-held belief that focal beads had to be just that - the focal - the belle of the ball... etc. what I am now finding is just the opposite - that while they need to be interesting, it's better if they join everything together with a nod & a knowing whisper. I like that approach much better. : ) Smiles, Jill
9.20.2017 - Cab-athon
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I've had my nose in the torch lately - mostly making fun pendants and these encased domed cabochons. While the faceted pearls (have been drilled for larger stringing material) are more of a gorgeous gray/blue, they just pair beautifully with this cab. I'm setting up the Smith Little Torch to make the silver bezel setting for this one - and I may just set a few others...
Seems though that making these bezel settings is more a labor of love than a profitable endeavor.... or so it seems... but you never know what else will be born during this creative time!
Believe me... I have something "cooking"!!
I've been experimenting with doming some silver disks - and have a great instructional book on making my own silver beads... wonder if that's worth it?? hmmm, I may make silver bead caps on my own, eh? Anyway - we are supposed to have a cool down by the end of next week... FALL??? where are you? Anxiously awaiting your return, Love Texas.
Update tonight at 9pm at JillSymons.com : )
9.13.2017 - Eye Turning NYC Images
How do you turn your eye off? This trip wasn't about glass, or seeking that quintessential feel of the Big Apple, which surprisingly didn't feel big at all? Are the comfort, beauty items we find pleasing somehow made present and evident no matter where we go?
This is my take away from a week spent doing much different things than shown here... but these are the underlying sweetness of unintentionally being bombarded by the things I find so wonderful. Thank you wonderful elements, for finding me. love, Jill
A little info I found online about these gems...
"Cast-iron vault lights (plates with glass lenses set into them) from the portion of sidewalk adjacent to the buildingVault space was a great thing in the nineteenth century. It could be and was used for coal storage, getting the potential fires and explosions of coal dust out of the body of the building. It could be and was used for boilers for the same reason. It could be used for storage for heavy objects, which makes sense when you remember that all those pretty cast-iron front loft buildings were warehouses and factories.
It gradually became more trouble than it was worth. The sidewalks leaked, and the cast-iron portions (particularly the vault lights) cracked under heavy loads. It was lousy space for anyone more sentient than a lump of coal. It was also, until 1997, taxed if it was usable. As a result, a lot of landlords closed off the interior access to the vaults, making them unusable and therefore untaxable, but also eliminating any possibility of maintenance. The tops of vaults were often covered with new sidewalk concrete, to the point where it is sometimes not possible to tell if a vault is present or not.
The New York City Department of Buildings has had some real success in digitizing records, but the focus has not surprisingly been on records pertinent to current regulations. The tax on vaults was handled by the Department of Finance, and those records have not been directly linked to the DoB records. Add this to the physical conditions and here’s the result: there are no accurate public records about which buildings have sidewalk vaults. In some cases there may not be accurate private records: if someone bought a building in 2000 that has a vault that was walled off in 1980, they may not even know that extension is there."
8.16.2017 - Light and Transmission
For the past month or so I've been working with transparent glass. Of late the sets have been hollows with usually groups of three disks - rather chunky ones... what I"ve found over time is that some colors of transparent glass have a "fiber optic like" quality. Notice on the lenses above, how the colors are more concentrated and electric at the edges? Especially light green, orange, yellow and pink...
While talking to a friend we were talking about how to get light into the transparent hollow bead sets. The groupings of three or four of these disks transmit the light and come alive... Lauscha glass' Peach and Ice Blue have these qualities.... which brings me to another topic...
Lauscha glass' Peach and Ice Blue have these qualities.... When I work in transparent glass, I almost exclusively work with the Glassdaddy's German Lauscha or Czech glass. The viscosity of the glass is very different and it also tolerates heat much better than Effetre. (this means no boiling or scumming)... which, in the end, leave you with a bead that is clean and clear.
Also - regarding light - some colors are rich, but dense. Light has to be able to get into the bead... so sometimes I take a darker color and veil it over a lighter one to lighten it up... OR in a set - to get beads that are in the same color range, but different diameters.
I don't usually mix colors in a single bead, but often do combine these pure colors in sets - it's just how I work.
Also - regarding light - some colors are rich, but dense. Light has to be able to get into the bead... so sometimes I take a darker color and veil it over a lighter one to lighten it up... OR in a set - to get beads that are in the same color range, but different diameters.
I don't usually mix colors in a single bead, but often do combine these pure colors in sets - it's just how I work. Smiles, Jill
8.9.2017 - Be Still My Heart!
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While I have been dabbling in opaque glass and finding my voice there. I dipped my toes back into the realm of transparent glass and have fallen in love all over again. I think, (this is big for me)... that out of all the styles I make - sets like these just make my heart pound. I think these define me - and I'm pleased with that!!
Light and airy hollows, three big ones front and center... flanked by tall thin light/color transmitting disks (...which serve also to keep the hollows elevated) and several other smaller hollows & disks. Am I the only one who feels wearing necklaces in the middle of summertime is sometimes too hot? Are you laughing? These beads allow the largest ones to float - while the disks are what touch your skin.
Crazy, I know...
smiles, Jill
On a side note: I was contacted last night by someone who said they loved my hollows (blush, thank you!!) and wanted me to do a tutorial on them. It seems a little like re-inventing the wheel to me sometimes though... as there are plenty of people who make hollows. I'll think about it though - and we shall see.
8.2.2017 - "I missed her Organic Phase"
Funny - I heard that comment online about 10 years ago, when I guess I skipped through an organic phase rather quickly! LOL.... I've been making beads now for twenty years, that's a long time - but I confess - I still get excited as I sit down to a torch session to transform rods of glass into bead creations.
I have found over time that when I happen onto a new design - I do it to death, all colors - many sizes and usually for the better part of a month... until I slip off to some other design (to do to death)... Of course I have my favorite styles, but feel equally at home in all styles... sometimes it's nice to have a style that's 180 out from what I've been obsessing over for the past month.
This has happened to me just recently. Usually when springtime hits - I'm so ready for the "fresh newness" of transparent glass - after a heavy wintertime. (ummm sometimes that doesn't hold true, as I DO live in Texas... but I do live vicariously through others and empathize with their wintery situations online).
I also love the transparent glasses I use, my very favorite is Lauscha - as I can work hot and fast... no boiling and microbubbles... it makes a big difference!!
But, just because I love transparent glass doesn't mean I don't play with opaques... I just often forget!
But while the opaques satisfy my need for color, I confess, I do love the form and shape. Not so much chaos of colors all together in a bead - but sets of usually up to three colors.
I occasionally fall off the radar when it comes to the silvered glasses. OMG. The effects are just amazing.So, selling online is a challenge because I make what I like... and hope that similarly minded customers find me. I always ask for feedback as to what you'd like to see more of... do email - I'm always open to suggestions.
I love these beads! They're uber high tech with the silver inclusions... all the silver is held underneath a top layer of clear glass so they never tarnish or get knocked off. They're just so clean looking and fun.
I love these purple beads! They're uber high tech with the silver inclusions... which is held underneath a top layer of clear glass so they never tarnish or get knocked off. They're just so clean looking and fun. I've explored many different colorsways, denim blue, pink, olive, purple... and of course the silvered glasses.
Yes... these are timeless. The wire is fused to itself as well as the glass. They're part of the Ancients Series. I love these. I also love that the base glass is not a yellowy ivory... but more of a very pale taupe. I like the sophistication of fine details... and clean lines. Wearability and elegance...
So, selling online is a challenge because I get to make what I like... and only hope that similarly minded customers find me. I will always ask for feedback as to what you'd like to see more of... do email - I like to hear what you have to say!!
Smiles, Jill
7.26.2017 - Exciting - & ENOUGH
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While it seems my reputation is built on smaller, more wearably sized beads... the inner child occasionally comes out and wows me. While this set isn't complicated, nor the beads overly jaw dropping - I feel that in beadmaking - sometimes we create feeling inside a bead.... or we create a set through which we create a feeling. I feel more like a masterful artist when I'm creating components that give an overall feel... maybe that's why this set was so enjoyable.
I play a lot with transparent glass and shaping, through which my designs seem very sophisticated and elegant. But I do realize that it's hard to take opaque glass and achieve that same level of gorgeous elegance. But, lucky for us, not all occasions call for that same level of elegance - sometimes just a oddly fun set is JUST ENOUGH. smiles - Jill
7.19.2017 - Amazing Colors deserve Sweet Shapes
So, do sweet colors get sweet shapes? I think deservedly so! I'm loving this sleek oval shape... the wisteria ones measure 1" long EXACTLY. I love the gradient or ombre illusion that is created.
The shape also a bit more rounded works well for the glittery earrings on the right... and for
the focal below & matching earrings. Fun. (can you tell I enjoyed making these?)
I have to give a shout out to my sweet neighbor, Katheen, who suggested my using her camera to try and capture some of my problematic colors. It worked beautifully... so you may be seeing more of the turquoise blues and aqua colors! It also allowed me to photograph transparent pink more accurately! Happy day here - smiles - Jill
